Lucy Ferriss - Unveiling the Prophet

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Selected Works

Christina Stead's "The Man Who Loved Children"

"Lucy Ferriss brings her signature honesty, clarity, and grace to bear on Christina Stead's famously challenging and rewarding novel about the frightening misuses of paternal power. I happily followed her into such literary byways as what to do with "impossible" characters (in books and in life), the virtues and pitfalls of excess in fiction, and how writing can sometimes save our souls. Through it all, Ferriss reckons with her own late father and his influence on her emerging artist's vision. This is a beautiful blend of memoir and deep reading."—Pamela Erens

Essays

Meditations for a New Century

"Lucy Ferriss's modern-day meditations are harrowing, whimsical, elegant, and probing. These beautifully composed pieces are small miracles of the essayist's art, and few writers at work today are as deft as Ferriss at finding wonder and meaning in the ordinary, the overlooked, the unusual, and the familiar." --Sudip Bose, American Scholar

Fiction

The Misconceiver

The Misconceiver is a startling novel in ways that highlight how unsurprising most pro-choice novels are. Ferriss isn't interested in merely confirming our liberal ideals; she makes us work for them. . . . The novel offers a challenging exploration of one woman's struggle to work through the profound moral dilemmas of her life. -- Ron Charles, The Washington Post

Foreign Climes

"The geographic breadth of Foreign Climes is only the beginning of its power. What makes the collection stunning is Ferriss's ability to go deep inside her characters, to the hidden places where we are foreign to those closest to us and even to ourselves, inviting profound reckoning." -- Dawn Raffel, author of The Strange Case of Dr. Couney

A Sister to Honor

"As ineluctable as a Greek tragedy." -- Claire Messud, author of The Woman Upstairs

The Lost Daughter

"From its harrowing prologue to its final sentences, I was emotionally engaged with this fine novel. Ferriss is a masterful storyteller." —Wally Lamb, author of I Know This Much Is True

Memoir

Unveiling the Prophet

"Ferriss’s exploration of St. Louis’s Veiled Prophet Ball is a must read. . . . This is one of the best books of the year."

-- Riverfront Times

Quick Links

Unveiling the Prophet

Unveiling the Prophet: Behind the book

In the autumn of 1972, Lucy Ferriss, then a college student in California, was preparing for the Veiled Prophet Ball at which she was to be presented to St. Louis society. Once the largest cotillion in the country, the invitation-only ball was unique among society events not only for the legend and mystery surrounding its namesake but also for its setting in a public, taxpayer-funded arena and for its accompanying parade.

In the late sixties and early seventies, with racial tensions at a boiling point and urban renewal failing, the exclusively white male Christian membership of the Veiled Prophet Society and the Veiled Prophet’s costume—eerily reminiscent of a Klansman’s—attracted the ire of ACTION, a militant civil rights group. Before the 1972 ball, ACTION founder Percy Green, himself a native St. Louisan, sent letters inviting all of the debutantes to join in the protest: “ACTION understands that you hate being part of this upcoming white racist Veiled Prophet Ball as we hate you being forced to participate by your parents.” The letter didn’t persuade Ferriss, who felt she owed it to her father to participate. She wrote back: “Don’t you have bigger fish to fry? This is just a stupid party. We are slaughtering people in Southeast Asia. Let this one go. It will fall of its own weight.”

But ACTION did not let this one go. On the night of the ball, as Ferriss bowed in obeisance to the crowd and took her place on the stage, a woman swooped down onto the stage and knocked off the Veiled Prophet’s hat and veil, revealing his identity. In the era of monumental Vietnam War protests, unmasking a wealthy and powerful old man might have seemed a feeble act of revolution, but this act forever changed the Veiled Prophet Ball in St. Louis.

Ferriss’s memoir blends regional history, national history, and her own personal history to create a fast-paced narrative that follows two time lines. One is the dramatic and often funny story of her attending the exclusive ball, having eaten half a pan of marijuana brownies beforehand, with a Jewish hippie who smelled of “unwashed beard.” The other story takes place thirty years later as Ferriss returns to St. Louis from her home on the East Coast to track down some of ACTION’s principal activists as well as key figures in the Veiled Prophet Society.

Over the course of this engaging story, Ferriss undergoes her own unveiling, as she discusses and comes to terms with her family; the past, present, and future of St. Louis; and the cultural politics that frame young women’s entrance into society.

What people are saying

Skillfully intertwining regional history, national history, and personal experience, Ferriss… tells this bittersweet but often laugh-out-loud funny tale…. Unveiling the Prophet touches lightly but evocatively and perceptively on a range of subjects from the past, present, and future of St. Louis to the ferment of racial, sexual, and cultural politics in the seventies to the way one eloquent woman looks back with affection and a bit of regret at her younger self, her family, and the social world that shaped her youth.

--Peyton Moss, Foreword

The book's most wonderful aspect is its sharp humor and dazzling writing. Smart without being stuffy, incisive without being pedantic, Ferriss's exploration of St. Louis's Veiled Prophet Ball is a must read….Unveiling the Prophet reaches across decades to reveal an arcane society's dark secrets, to explore racial and economic injustices—and to tell one hell of a good tale. This is one of the best books of the year, period.

--St. Louis Riverfront Times